Snow Patrol have announced their eagerly awaited return to the UK, with a headline show at The O2 on Saturday 15 February 2025.

In addition to the announcement of their upcoming tour, Snow Patrol have also unveiled their new album, titled ‘The Forest Is The Path’, which is the Northern Irish band’s first in six years, following 2018’s ‘Wildness’. Set for release on 13 September 2024, the album was produced by Fraser T Smith (Adele/Dave/Stormzy) and the band.

‘The Forest Is The Path’ was written by Gary Lightbody, Nathan Connolly and Johnny McDaid and features twelve tracks. Fraser T Smith, Will Reynolds, Roy Kerr and Troy Van Leeuwen (QOTSA) also contributed to the writing on some of the songs on the album. The album and single artwork features paintings by Gary Lightbody.

Their first single from the new album – ‘The Beginning’ – is the cornerstone of the band’s eighth studio album, written on a trip to Somerset. Gary picks up the story, “The first day we wrote The Beginning, start to finish.” “And he did the vocal in one take,” says Johnny. “Straight after writing the lyrics. So it has this mind-collapsing quality to it where you feel like you’re seeing into someone’s soul.”

‘The Forest is the Path’ is an album rooted in reflection, introspection and interrogation. One of its key building blocks, says Gary, was the idea of love from the distance of time. “I haven’t been in a relationship for a very long time, 10 years or more, so love from a distance to me meant the way a relationship sits in your memory from a distance of, say, 10 years. That’s not something I’d previously thought about as away to write about love. So it’s like, when you’re in love, you’re standing in the lobby of the Empire State Building. When you’ve broken up with that person, you’re out in the street. You can still see the building, but you’re not in there anymore. And when it’s 10 years later, now you’re standing in Brooklyn looking at the Manhattan skyline.”

It’s a theme addressed unblinkingly and unflinchingly on the ‘The Beginning’. “That’s kind of a summing up of this album,” Gary continues. “It’s a way of looking at various mistakes, any pain I may have caused, from a place where nothing is hurting anymore, except the memory when you pull it back into your mind. The memory itself is full of hurt but everything around it isn’t. You’re holding in your hand this ball of fire, but now you’ve got gloves on.”